Rosie Isaac

2018

Performance at Quest on William as part of Next Wave Festival 2018
For copy of the text click here

Photos by Sarah Walker
Video documentation by James Wright

2017
Exhibition at Gertrude Glasshouse

List of works
ORAL PLAY, hand grease and breath on mirror
BACK WARD PLAY, two dental/therapeutic chairs
Keeping fast hold of your round hole, dentist's mirror, aluminum
She had no responsibility except to her own inordinate cravings, hand mirrored glass, timber
Spell it out or out its spell, audio of countdown from ten to one, duration 07:02
MORAL WARD, audio of an apple being eaten, duration 02:40

For show text click here

Photos by Christian Capurro and Adelle Mills
ORAL PLAY activated by Georgina Criddle, Nell Pearson and Anador Walsh

(2017)
AGILE LIE, fragile tape
FRAGILE GAG, hand mirrored beer bottles, nylon string, nails
Photos by Christo Crocker and Christian Capurro

(2017)
Reading of the script Here repetition of lot a be will there on and against the sculptural work AGILE LIE and FRAGILE GAG

Photos by Lauren Dunn

(2017) Performed in the Good Shepherd Chapel, Abbotsford Convent part of Polyphonic Social curated by Liquid Architecture.

Reading of a script written by the artist. Beginning in the choir stalls the performance ends with artist and audience reclining on the floor of the church.

Photos by Keelan O'Hehir

(2016) Part of Gertrude Studios 2016
Felted raw wool on glass, eucalyptus leaves, moth, twigs, grass, shit

Figure I & II (2016)
Graphite wall drawing

(2016) Part of Through Love: Five Feminist Perspectives, Next Wave 2016. Organised by Brainlina.

A silent reading performed by The Audience. Certainty performed by Saskia Doherty.
Love I & Love II performed by Ben Hjorth and Briony Galligan. Video by Jacqui Shelton.
Scripts printed by Negative Press.

For a copy of the script click here. For notes on the first iteration of the performance click here. To view the brainlina website click here.

(2015) Microphones, microphone stands, amplifiers, speakers, shelves, script, performance transcript.

Exhibition with Briony Galligan Well this isn't a police station. Look this is not a police station!

Work by Briony Galligan Its not actually like they are floating, they're in quite specific positions
Curtain, radio, sound of ABC news reader breathing.

(2015) Performed by Abbe Holmes and Chess Julia Allan In No, I couldn't agree with you more with Briony Galligan

Scripted announcements made at ten minute intervals by two female voice over artists and amplified into the gallery stairwell. For a transcript of the performance click here. To hear an excerpt of the script recorded by Abbe Holmes click here.
Photos by Christian Capurro

(2014) Scripted performance and set
Timber, plaster, paint, screen printed script, screen board

Performed by Nell Pearson, Gabriel Curtin, Nick Modrzewski

To view the script click here.

(2014) Boxboard, notepad, blue pen, consecutive interpreter's notes on Speaking in the abstract Notes by Georgina Begg

(2014) Performance with Phoebe Amis. Text by Phoebe Amis, Jack Saunders, Isabelle Sully, Rosie Isaac. Part of ?! Performance Festival, The Pipe Factory, Glasgow.
Photos by Jen Martin.

(2014) HD video, tilted plinth, sound. Duration: 1:32 Part of Pardon me, but our position has been struck by lightning.

(2013) 3 channel video with freestanding wall. Duration 06:53